Anamarija Batista

Anamarija Batista is a researcher, lecturer, and freelance curator. She studied economy and art history at the University in Vienna. She has curated a series of exhibitions including Productive Work – What Is It Supposed to Be? (frei_raum, MuseumsQuartier, Vienna, 2018), Bosch & Hofbauer (The Paintings Gallery of the Academy of Fine Arts, Vienna, 2018), The Münchhausen Effect – Micro-Utopias on Time in the Time of Having No Time (Gallery 5020, Salzburg, 2017), and Crisis as Ideology? (Kunstraum Niederösterreich, Vienna, 2016). She co-edited the book Rethinking Density. Art, Culture and Urban Practices (2017) for Sternberg Press as part of the publication series of the Academy of Fine Arts in Vienna. Since 2018 she has been working with Antonia Dika on the project Collective Utopia of Post-War Modernism: The Adriatic Coast as a Leisure and Defence Paradise, supported by the Austrian Science Fund. She is currently editing the book Notions of Temporalities in Artistic Practice (‎De Gruyter, 2022).