City of Women 2006 Symposium

Memory
is always formulated by way of language, which is itself the basis of any human
communication. Language reflects culture, politics, art, everyday life – indeed
everything; and it can either connect people or define boundaries. During the
last fifteen years, the Balkans has witnessed not only the emancipation of
nations, but also languages. In this part of Europe
we followed the example of old romanticists and raised language to the very
essence of national entity and identity. In such a context poets are construed
as iconic, and as such supposedly reflect this national entity; luckily, such a
notion does not encompass women poets. Not only are women writers excluded from
this inherent literary canon, they are also – still too often – obstructed by
various obstacles that do not allow them to enter literary circles. Literature
and the literary canon play a central role within the nationalist politics of
memory, thus the exclusion of women from it also engenders their exclusion from
the politics of memory. Such segregation and sexual apartheid also necessitates
the creation of new means by way of which women's writing may be perceived and
understood, and this shall in turn necessitate a surpassing of the established
modes of interpretation.

The
Gender, Literature and Cultural Memory in the Context of Southeastern Europe symposium
will analyse, compare and contrast two periods: the era of Yugoslavia, with its
common literary market with established publishing, translation, as well as
inter-textual and intercultural links, which were broken as a result of the
disintegration of the common state, and the post-conflict literary milieus that
today exist in Yugoslavia’s successor states. Although, in the context of the
demise of Yugoslavia,
the engineering of distinct national languages has been successfully
accomplished, these languages have not been devised in such a way to make them
incomprehensible to their new neighbouring nations. Through the encounter of an
older generation of authors, theorists and publishers – who weren’t merely just
good neighbours – with a newer generation who missed the train of brotherhood
and unity, the City of Women intends
to unveil and identify the shifts in the field of literature, as well as the
peculiarities of the individual cultures of memory.

In
addition to delivering their own lectures, the lecturers shall exchange their
personal experience and perspectives on this subject at the symposium and round
table discussion.

Lectures and Lecturers:

The
opening lecture of the symposium entitled History
and Memory in Women's Writing, delivered by anthropologist Svetlana
Slapšak, will address the issue of historiography, which of all the humanities
is intrinsically the most suspicious of feminist and gender-based approaches.

Svetlana Slapšak is a classical philologist and anthropologist who teaches at Ljubljana’s Institutum Studiorum Humanitatis (ISH) – Ljubljana Graduate
School of the Humanities. Her work is
mainly focused on research into women’s cultures in the Balkans – from ancient Greece,
through romanticism, to the conflicts of the 1990s and the present day.
www.ish.si/pr_sodelavci.htm

In her lecture entitled The Personal as the Political:
Croatian Women’s Citizens in (Post)War
Republic of Words, the Croatian ethnologist Renata Jambrešić Kirin will address models of
memory in women's writing in Croatia,
which during the 1990s was marked by collective amnesia and the construction of
nationalistic myths.

Renata Jambrešić Kirin
is a researcher at the Zagreb
Institute of Ethnology and an associate of a local women's studies
centre. In her research she mainly investigates ethnological, cultural-critical
and feminist perspectives of war and women's role in it.
www.ief.hr/hr/suradnici/kirin.php

In
the lecture entitled Status of Women Authors in Bosnia-Herzegovina,
comparativist Ajla Demiragić shall deal with the work of contemporary Bosnian
authors (namely the writer Šejla Šehabović and director Jasmila Žbanić),
alternative memory and the revolt against patriarcal discourse.
Ajla Demiragić is an assistant at the Department of Comparative Literature at the Sarajevo University Faculty of Arts,
and is particularly interested in feminist literary theory and history.
www.ff.unsa.ba/OFakultetu/Nastavnici.php

The
lecture Women’s Writing as a Model of Politics of Memory: Post-War Structural Strategies delivered
by the writer Šejla Šehabović will address various post-war cultural
frameworks and the role of women’s authorship in Bosnia-Herzegovina.
Šejla Šehabović is a poet, writer and journalist of the younger generation.
She teaches Bosnian, Croatian and Serbian language and literature at Tuzla grammar school. She
also works as an editor of Razlika (Difference), a paper aimed at critics
and art theorists.
www.omnibus.ba/zurnal/int_sehabovic.php

Under
the title New Cultural and Authorial Identities in the Process of
European Integration: From 'East European' to 'West European' Women's
Authorship the
poet Maruša Krese will deal with the specifics of conditions for creative work
in socialist and post-socialist contexts.
Maruša Krese is a writer, journalist and
psychotherapist who for the past fifteen years has lived and worked abroad. She
writes poetry published by prominent foreign Slovene language publishers
abroad. Prior to this year neither her poetry collections nor her book Pisma
Žensk o Vojni in Nacionalizmu (Women’s
Letters on War and Nationalism) were published in her homeland; however,
with the up-coming publication in Slovenia of Vsi Moji Božiči (All My Christmases), this state of
affairs is about to change.
www.lyrikline.org/index.php?id=162&L=3&author=mk04&show=Bio&cHash=1a98d3c72f

Reinvestigating Freelance Publishing from the perspective of writer,
translator and editor Suzana Tratnik will address various meanings, advantages
and disadvantages of freelance publishing which affords an opportunity for
literature of minority interest, and thus excluded from mainstream commercial
publishing, to go into print.
Suzana Tratnik
is a sociologist and gender anthropologist, as well as a longstanding activist
in the lesbian movement who works as a writer, journalist as well as a
publisher.
www.ljudmila.org/~tratniksu/

In
her lecture entitled Challenging
Writing Practices in Serbia
after 2000 poet and theorist Dubravka
Đurić will compare individual literary texts as regards their relationship with
the Third Balkan War, authorship, as well as socialist and transition ideology.
Dubravka Đurić is a poet, essayist and editor of ProFemina magazine; she is also a lecturer at the Belgrade Centre for Women’s Studies.
www.diwanmag.com.ba/arhiva/diwan9_10/sadrzaj/sadrzaj2.htm

Symposium Conception, Organisation and Moderation:

Jelena Petrović is a postgraduate student of the linguistics of speech and
theory of social communication at the Institutum Studiorum Humanitatis (ISH – Ljubljana Graduate
School of the Humanities). She is involved
in research into language, literature and gender anthropology.
www.ish.si

Katja Kobolt gained her doctorate in the literary memory of post-Yugoslav
wars, at Munich’s Ludwig Maximilian
University. She is
active in the field of cultural production, journalism and translation.
www.promotion-lit.uni-muenchen.de/doktoranden/kobolt.htm
Katja Kobolt & Jelena Petrović

Spol, literatura in
kulturni spomin v kontekstu jugovzhodne Evrope / Gender, Literature and
Cultural Memory in the Context of Southeastern Europe
Svetlana
Slapšak, Suzana Tratnik (Slovenia), Maruša
Krese (Slovenia / Germany), Renata
Jambrešić Kirin (Croatia), Dubravka
Đurić (Serbia), Ajla Demiragić, Šejla Šehabović (Bosnia-Herzegovina)
Organised
and moderated by: Katja Kobolt (Slovenia / Germany) & Jelena Petrović (Slovenia / Serbia)

Organisation and production: City of Women
In collaboration with: Cankarjev dom 
With the support of: ISH-Institutum Studiorum
Humanitatis, Skrivanek prevajalske storitve d.o.o.