Hristina Ivanoska

Hristina Ivanoska’s research interest and artistic practice are tied around the issues of suppression, control, and construction of collective memory in regard to women’s resistance strategies, and politics. She often works interdisciplinary, critically investigating the experience of present-day social and political systems and their relationship to history and theory. She validates handcraft such as engraving, embroidery, weaving, pottery, and quilting as mediums of political and social value and as a representation of individual struggle and limitations. Ivanoska has exhibited at the Budapest Gallery, +MSUM, Ljubljana; Manifesta 14 Prishtina; Künstlerhaus, Vienna; Ludwig Museum Budapest; MOMus, Thessalonica; 2nd Autostrada Biennial, Prizren; WUK – Werkstätten und Kulturhaus, Vienna; MoCA Zagreb; Museum of Sculpture – Królikarnia Palace, Warsaw; Research Pavilion, 57th Venice Biennale; MoCA Skopje; MUMOK, Vienna; Künstlerhaus, Graz, and other venues. She is a PhD-in-Practice candidate at the Academy of Fine Arts Vienna. Lives and works in Skopje and Berlin.