After the 2024 City of Women Festival, in collaboration with the Autumn Film School (Jesenska filmska šola) of the Slovenian Cinematheque, we hosted Macedonian filmmaker, researcher, and curator Kumjana Novakova.
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The article summarizes a panel discussion on the eponymous anthology, which explores how infrastructure—such as highways, urban planning and city architecture, public transportation, care systems, digitalization, and construction—affects human bodies and the planet.
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Slovenian visual artist and filmmaker Katarina Jazbec, based in Rotterdam, led a two-part workshop
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In the third interview marking the 30th anniversary of the City of Women festival, where we explore different approaches to feminist curation, we spoke with Katja Kobolt and Dunja Kukovec, who curated the 13th and 14th editions and designed the program for the 15th City of Women festival.
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In the second interview, through which we are exploring various approaches to feminist curation on the occasion of the 30th anniversary of the City of Women association, we spoke with Koen Van Daele, Sabina Potočki, and with Bettina Knaup, where we discussed mutual collaboration, curation, and the cultural and political climate of that time.
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In the first interview, marking the 30th anniversary of the City of Women association, we explore
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Reflecting on the 5th part of the Connecting Lines: International Conference on Ecology, Feminism
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Danes pomanjkanje časa ustvarja nov globalni red, v katerem so ženske množično vključene v aktivno delovno silo, medtem ko se socialna država umika...
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Reflecting on the 3rd panel of the International Conference on Ecology, Feminism and Care
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Reflecting on the 2nd panel of the Connecting Lines: International Conference on Ecology, Feminism
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Introduction to the Connecting Lines: International Conference on Ecology, Feminism and Care
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An interview with the artists Alenka Marinič and Maja Dekleva Lapajne, who introduced themselves
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Last year, the City of Women team attended a presentation of the book Curating with Care, which was accompanied by a discussion about curating as a practice of care work...
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Reflections on the workshop Text and Contexts from the Decentered History of Women’s and Feminist
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Films are a way through which we can re-imagine. — Yvonne Rainer This year’s festival film programme
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The starting point of this article is Catherine Malabou’s lecture The Clitoris is an Anarchist
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