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In the second interview, through which we are exploring various approaches to feminist curation on the occasion of the 30th anniversary of the City of Women association, we spoke with Koen Van Daele, Sabina Potočki and Bettina Knaup about mutual collaboration, curation, and the cultural and political climate of that time.

In the first interview, marking the 30th anniversary of the City of Women association, we explore

Reflecting on the 5th part of the Connecting Lines: International Conference on Ecology, Feminism

Danes pomanjkanje časa ustvarja nov globalni red, v katerem so ženske množično vključene v aktivno delovno silo, medtem ko se socialna država umika...

Reflecting on the 3rd panel of the International Conference on Ecology, Feminism and Care

Reflecting on the 2nd panel of the Connecting Lines: International Conference on Ecology, Feminism

Introduction to the Connecting Lines: International Conference on Ecology, Feminism and Care

An interview with the artists Alenka Marinič and Maja Dekleva Lapajne, who introduced themselves

Last year, the City of Women team attended a presentation of the book Curating with Care, which was accompanied by a discussion about curating as a practice of care work...

Reflections on the workshop Text and Contexts from the Decentered History of Women’s and Feminist

Films are a way through which we can re-imagine. — Yvonne Rainer This year’s festival film programme

The starting point of this article is Catherine Malabou’s lecture The Clitoris is an Anarchist

Decoding Resilience is the title of the community-based (participatory) artistic practice conceived

The project Performing Gender – Dancing in Your Shoes ( Uprizarjati spol – Ples v tvojih čevljih )

Participatory artistic practices, the aspiration to transcend a one-sided relationship between

To protest the injustices caused by the erasure, marking its 30th anniversary, the artistic collective of the Politics of Touch project initiated by the City of Women made a memorial entitled Erased Gazes ~ Izbrisani pogledi.